CHAMBRE NOIRE

The rustle of a zipper, the tinkling of a gun gold ring and the discreet crinkling of vinyl: with a few fleeting sounds, Chambre Noire captures an eroticism that invites belonging. Drawing from Newton’s photographic codes as well as Eric Stanton’s impudent frames, this collection anchors the irreverence of these references in pieces that dance on a razor’s edge. Maison Close deploys a variation of analog blacks as well as a play that opposes tones that are both transparent and opaque; it is endowed with the aplomb of the “fétichic” heroine: clean cut, striking, fantasmatic.